The Presence in Our Midst: Christ in Commonlife

"And she gave birth to her first born son..." Luke 2:7
(top photo)
"Is this not the carpenter..." Mark 6:3
(bottom photo)

When I was in seminary, I continued my interest in photography by incorporating into various theology or Bible classes. One project I developed, in lieu of a formal paper, was for a class on the gospel of John. Based on John 1:14-18 (And the Word became flesh and dwelt among us, full of grace and truth; we have beheld his glory, glory as of the only Son from the Father. (John bore witness to him, and cried, “This was he of whom I said, ‘He who comes after me ranks before me, for he was before me.’”) And from his fulness have we all received, grace upon grace. For the law was given through Moses; grace and truth came through Jesus Christ. No one has ever seen God; the only Son, who is in the bosom of the Father, he has made him known. RSV, italics mine) it was a presentation on the life of Jesus as incarnate in God's people today using scripture, music, and slides projected on a screen.

That then morphed into the idea of a book project that never materialized, but which I came across the other day while cleaning out an old file cabinet. It's working title was Christ in Commonlife and was going to combine photography with scripture and some meditative thoughts. The photographs, two contact prints of which are on this post, were ones I took of people I  encountered in daily like -- including family. Like the two here -- the top one is of my son Benjamin a day after he was born and the bottom one is of my dad building his garage behind the house where I grew up.

As I wrote in the book proposal

The central concept of Christ in Commonlife is that it is in every day encounters we me Jesus. Imagination is imperative since many of the photographs contain no specific Christ figure. To find Christ -- in these images as in life, you must allow your imagination free reign. Become a dreamer. Just as you used to be, before you put away dreaming and other such childish things. It is my hope that in the uniting of word and image, you will be open to really seeing again -- and in that awakened state you will find yourself encountering Christ in places and faces fresh and new. And ordinary. Like these photographs. Like life.

Jesus rides the subways today -- and the county school bus. He puts in his time in factories, office buildings, farms, and homes across the planet. He is wherever people are -- doing the things they do; eating, sleeping, laughing, crying, working, living, dying. 

Well, as I said, the project never came to fruition as a published book. But still it helped me to put into daily practice the Quaker concept of looking for that of God in every person that I encounter. Some days I'm better at it that others. But still, I try.

The book was to end with a poem. Now I've never claimed to be a poet -- I know my limitations. But this one still feels good and true and seeking to me:

Looking into faces

young or old

we catch glimpses of

ourselves, or

the people we could be.

Then we

stop, reflecting on

the beauty that lies

within.

Wonderment.

It may be

We should spend more

moments

gazing at

God in

us all. Finally

free. Ourselves. Are

you there,

Jesus?

 

Learning to Trust What Shimmers -- A Guest Post by Christine Valters Paintner

 Learning to Trust What Shimmers

 

Our habitual ways of perceiving the world, which help us navigate things like stopping at a red light or stop sign, also stand in the way of seeing the world in fresh and new ways.

 

In my book Eyes of the Heart: Photography as a Christian Contemplative Practice, I find inspiration in the ancient practice of lectio divina, or sacred reading.  In lectio, we read scripture and listen for what word or phrase is shimmering. This practice is always in service of contemplative vision in daily life.  Lectio invites us to slowly see more and more of the world as a sacred text, ripe with possibility for meaning.  We can expand our contemplative practice to include a kind of visio divina, or sacred seeing, where we gaze on a painting or photograph we love and look for something that shimmers – perhaps a symbol, a color, a brushstroke, the play of light and shadow.  And in that shimmering we know there is a gift for us, even if we don’t fully understand its meaning in the moment.

 

We can then expand our practice of sacred seeing even further to include what we see all around us in our daily lives.  What would it be like to move through our day, watching for what shimmers, waiting to receive these moments of revelation, and then savor them? 

 

A question I often receive from people cultivating the contemplative path is: How do I cultivate trust in what shimmers?  How do I know what I am drawn to is sacred? 

 

We are so used to moving through the world analyzing and judging, bringing our expectations to each encounter, planning for the next several steps ahead.  It can feel awkward to bring ourselves fully present and draw on intuition, wisdom, and experience, rather than logic and analysis, to see what is most true.  This heart-centered knowing comes through practice. 

 

The most essential way I learn to trust what shimmers, is to ask myself if this encounter increases my compassion.  Do I feel a sense of expansiveness toward myself and others?  When the holy shimmers before us, it is always in the service of greater love.

 

As I cultivate this practice of attending to the gifts the world has to offer me, to what shimmers, I am at the same time nurturing the opening of my own heart.  Our minds harden our defenses, but the heart softens and blooms forth slowly, so that we find ourselves looking with more compassion on those who annoy us, and perhaps later, those we actively dislike, and finally those we have previously ignored and not even allowed into our line of sight. When we discover ourselves surprised by love and grace, we come to trust what shimmers forth as gift.  We receive without needing to figure things out.  We begin to follow the thread of moment by moment revelation, not knowing where it leads, only embracing the call to see with eyes of the heart.

 

Christine Valters Paintner, PhD, is the online Abbess at Abbey of the Arts, a virtual monastery and community for contemplative practice and creative expression.  She is the author of 7 books on art and monasticism, including her latest, Eyes of the Heart: Photography as a Christian Contemplative Practice (Ave Maria Press). Christine currently lives out her commitment as a monk in the world with her husband in Galway, Ireland.

"Eyes of the Heart" -- A Review

Eyes of the Heart: Photography as a ChristianContemplative Practice, Christine Valters Paintner’s latest book, is moving, helpful, challenging and inspiring.  Which is not surprising, given Christine’s record of turning out such books (two of my favorites are The Artist's Rule: Nurturing Your Creative Soul with Monastic Wisdom and Awakening the Creative Spirit: Bringing the Arts to Spiritual Direction).

Christine, besides being an author, is a Benedictine Oblate, writer, artist, spiritual director, retreat facilitator, and teacher. She’s also the on-line abbess for Abbey of the Arts, an amazing site that you should know about, if you don’t already.  I’m a regular visitor to the site and participant in her “Invitation to Photography” spirituality exercises.  She’s going to guest blog here soon!

As a photographer, as soon as I heard about Eyes of the Heart, I knew I wanted to read it.  I was not disappointed.  Christine is a wise writer and grand guide into the idea of combining contemplation and photography.  I appreciate this as I’ve been doing what I call “praying with my camera” for years.  In some ways, Christine’s concept is similar to Sybil MacBeth’s concept of “Praying in Color” -- an active, visual, and meditative form of intercessory prayer.

We find that the title comes from Ephesians 1:18 when Christine writes, “Photography as a spiritual practice combines the active art of image-receiving with the contemplative nature and open-heartedness of prayer.  It cultivates what I call sacred seeing or seeing with ‘the eyes of the heart.’”  Of course, this resonates with me – having written myself about learning to see deeply as a spiritual practice (Mind the Light) and the integration of body, mind, and soul to experience the Divine as we move through this world (Awaken Your Senses). 

Eyes of the Heart is filled with thoughts helpful and inspiring.  “For me, both art and spirituality are truly about tending to the moments of life: listening deeply, holding space, encountering the sacred, and touching eternity.  For a few seconds I touch time beyond time and in that spacious presence my heart grows wider, my imagination frees, my breath catches, and I am held in awe and wonder.  These are the moments that help to make life full of meaning.”  Indeed.  Words such as that are an invitation to experience God breaking through – via the means of a simple tool that many of us have in phones even, a camera.  It’s a gadget that is often thought of just as that – a gadget – rather than a entry into eternity and spiritual experience.  Christine’s book helps us broaden our spiritual horizons whether through phone camera or professional DLSRs. 

Make no mistake.  This is no book solely for photographers.  It is for anyone who desires a fresh way of connecting the visible daily life with the often unnoticed Divine presence in it all.  It opens a new way of seeing God at work in and around us.  We behold beauty, life, truth and love as we learn to notice – as we accept Christine’s invitation to “see with the eyes of the heart.”

Eyes of the Heart: Photography as a ChristianContemplative Practice by Christine Valters Paintner

Sorin Books (2013)

152 pages, paper, $15.95

Footprint -- Bald Head Island, NC

Six months until I walking that beach again, taking photographs.

Old Barn 1

From my trip to Illinois.

"Snow Trail" -- Second Place

Here's my photograph that took second place in "Non-Professional, Black and White Scenic" at the 2011 Indiana State Fair.

Here's the technical information for those of you who care about such things:
Camera: Nikon D80
Lens: Nikon DX AF-S 18-135 (32mm)
1/200 second; f 7.1; ISO 200
Location: Ploughshares Farm, Mooresville, IN
Processed in Adobe Lightroom and Nik SilverEfex Pro
Printed on my Epson R2880

Awaken Your Senses: Meditation Video

Sand Fence, Bald Head Island: Photography

Sand & Sky, Bald Head Island: Photography

Church Pew, Village Chapel of Bald Head Island

Our Saviour of the Junk Drawer: Photography

I discovered this Jesus reposing in the junk drawer at the guest minister's condo where I am staying. I hate to admit it (well, no I don't -- I preached on another wee little sinner man this morning -- Zaccheaus) but I was looking for a corkscrew. Instead, I found this little beige Jesus nestled in with the tiny light bulbs, batteries, and other miscellany. -- Brent

Spring Beach: Bald Head Island

Jesus in Valpo: from the Messiah of the Midwest series

Jesus in Iowa: "Jesus: Messiah of the Midwest" series

Photo taken at Forest Cemetery, Oskaloosa, Iowa

Meetinghouse Photos: Benches and Window Reflection, Indiana

Meetinghouse Photos: Ceiling Lights, Pennsylvania

Meetinghouse Photos: Benches and Light, Pennsylvania

Meetinghouse Photos: Open Door, Pennsylvania

Meetinghouse Photos: Meetinghouse Floorboards, Pennsylvania

Meetinghouse Photos: Bench and Pillow, Pennsylvania